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Six American trans men are interviewed about their experiences, transitions, and lives. Still Black: A Portrait of Black Transmen Documentary 2008 United States of America Six American trans men are interviewed about their experiences, transitions, and lives. Watch. Available Summary: In the past decade, independent cinema has seen an explosion of films that explore transgender issues. Many of those films, however, have elided issues of race in regard to trans communities of color. In light of this, Still Black: A Portrait of Black Transmen is a feature-length experimental documentary that explores the lives of six black transgender men living in the United States. Through the intimate discussions of their lives as artists, students, husbands, fathers, lawyers, and teachers, the film challenges traditional notions of black masculinity, sexuality, and identity. Presented as a collection of six short black-and-white films, each "mini-film" gives the impression of a one-on-one conversation with the character. The aesthetically provocative sections tell the personal stories of the men through multiple camera angles, experimental graphics, and an original trip-hop score--each designed to supplement their individuality and personality. This film does not claim to embody what it means to be black, or transgender, or male. But what it does do is offer just a small piece of the larger experience of being a black transman. Most importantly, we hope that the stories in the film will inspire audience members to look beyond the negative portrayals and stereotypes of black men that we are all bombarded with on a daily basis." - Official website . Entry last updated: 24 Feb 2026 Related Media Trans Male Media Browse

Tosiek, a trans man played by Polish non-binary actor Alin Szewczyk, navigates school, romance, mental illness, and harassment as he figures out his identity. Fanfik (Fanfic) Film 2023 Poland (Polska) Tosiek, a trans man played by Polish non-binary actor Alin Szewczyk, navigates school, romance, mental illness, and harassment as he figures out his identity. Trailer. Available Summary: Two high school students form an intense connection as they navigate the challenges of discovering and expressing their truest selves. -Netflix. Jack's Review: When I found out that the protagonist of this film (Tosiek) is played by a model, I wasn’t surprised. I’ve got nothing against Alin Szewczyk, who themself is non-binary, but too much of this movie is a cross between a film clip and a modelling reel. It has almost no substance beyond looking pretty, and it's all over the place. One scene is simply the thin, androgynous protagonist scrolling through Instagram and looking at thin, androgynous models while his thin peers take selfies at their lockers. It's very boring very quickly. There is no body diversity or alternative expressions of androgyny. Too many scenes look like they were filmed on a runway, or as part of a fashion line promotion. It’s hard to believe that the characters are average school kids when they’re so professionally styled. A bigger issue is the fact that Tosiek is utterly unlikeable, and much of the story involves him reaping what he sows, though he ultimately is spared any real consequence. Not all trans characters have to be likeable, but with Tosiek being thoroughly dissatisfying and the writing equally so, it's hard to find a reason to watch Fanfic at all. The film opens with him vomiting in a school toilet (a particularly gross scene), after which viewers find out that he has been stealing and irregularly taking antidepressants, yet he somehow doesn't connect his symptoms with the fact that he has been abusing someone else's prescription medication and exceeding dosage limits. His nausea and mood swings must be everyone else's fault, not his own. Drug use can be depicted sensitively and with nuance, encouraging viewers to sympathise with people who abuse prescription medications, but Fanfic is not capable of that. He is cruel and dismissive towards a classmate who is openly supportive of both his gender identity and his fanfiction, causing her to abandon and bully him. He wilfully mistakes occasional flirting for consent, and abruptly kisses (assaults) a cis boy without asking first. He steals a classmate's bike, causing the classmate's abusive father to become angry. Determined to demonise a cis gay boy, he physically assaults him and hurts him a great deal... particularly when you consider that the attack was entirely unprovoked. Not that Tosiek has the maturity to process that before getting violent. In all things, he is forgiven. His conflicts are magically resolved without the need for humility, certainly from his end. He never fully realises the role he has played in his own misery or (equally importantly) other people's distress. At least in Romeos (a film which also features a very flawed trans man), all of the main characters are equally flawed and are held to the same standard. What really annoys me about Fanfic is the bratty hypocrisy. Tosiek watches video tutorials on open chest binding, rather than using bandages. I liked five things about this film. One, the casting of a trans actor, despite the overall quality of the movie. Two, the dad's involvement, particularly a scene where he shows Tosiek footage from his childhood and finally becomes supportive. Three, a scene where Tosiek affirms himself through open chest binding, which is a huge step forward from bandage binding in films . Four, a scene where Tosiek and a classmate lay together, comprising the only convincing manifestation of the film's promised "intense connection" between them. Five, Tosiek's gender euphoria when putting on a boy's clothes, which is similar to what happened to me. Therein ends my positive experience with this movie. I'm not even sure why this film is called Fanfic . The film is at its best when it is trying (not always successfully) to flesh out Tosiek beyond the limits of his fanfiction imaginings. I get it, Tosiek affirms himself through fantasies, where he can be as androgynous and masculine as he wishes... But most of the movie isn't about fanfiction. It certainly doesn't warrant occupying the film's title. Tosiek, leaning toward his food while getting a haircut. The scene which sums up this movie's issues features Tosiek eating a bowl of noodles while a boy cuts his hair. Oh-so-aesthetically pleasing, I guess, but he was definitely munching on noodles with a side of hair clippings. Yum. This film is more concerned with looking pretty than being real, which might be tolerable if it was also well-written. Unfortunately, it is not. This is ultimately just one trans bloke's review, and I'm sure many people enjoy this movie, so take my opinions with as big a grain of salt as you wish. All in all, I'm glad this film was made. I'm glad any time a trans actor gets to play a trans role, even if I don't like the movie itself... for example, Relish ... which is definitely inferior to Fanfic , given the fact that it features bandage binding. Entry last updated: 8 Feb 2026 Related Media Trans Male with Male Browse

Joe, a trans boy played by American trans actor Sasha Knight, is accompanied by his accepting father as he runs away from his transphobic mother. Cowboys Film 2020 United States of America Joe, a trans boy played by American trans actor Sasha Knight, is accompanied by his accepting father as he runs away from his transphobic mother. Trailer. Available Summary: A troubled but well-intentioned father who has recently separated from his wife runs off with his trans son into the Montana wilderness after his ex-wife's refusal to let their son live as his authentic self. -IMDb. Jack's Summary: This is a sweet coming-of-age film, featuring a young trans actor (Sasha Knight) in the role of a trans boy. It's wonderful, and a recommended watch for anyone who has felt disappointed by mainstream representations of trans maleness and transmasculinity during youth. I wish I had been able to watch this film growing up. I particularly loved the film’s depiction of a cis father who, despite being uneducated about trans people, is desperate to support his son, to the extent that he runs away with Joe when the boy insists on it. He also struggles to manage his bipolar disorder, which is an arc depicted with great sensitivity. You can read more about that here , where the author writes the following: In addition to being a compelling portrait of U.S. trans identity, Cowboys presents a rare and sympathetic depiction of bipolar I disorder. As someone familiar with bipolar, I’m often disappointed with how film and television harshly depict the ways their bipolar characters interact socially (I was particularly disturbed by the opening of Midsommar in this regard). Because of this, I’m always looking for media texts that offer a complex representation of the illness that isn’t used as a vehicle for shock or suspense. Because Cowboys advertises itself as a film about trans identity, I was not at all expecting it to cover bipolar with such depth and sensitivity. Even as the film illustrates some of the possible painful struggles of bipolar and the social repercussions they can cause, it never demonises the person as inherently bad or undeserving of love. This film has the best representation of bipolar I’ve ever seen, and I was very moved by the empathetic care Kerrigan put into her script and the excellent, soulful performance she helped craft with the performer who plays this role. Joe, the trans boy, is called a lesbophobic slur by a cis boy who harasses him for trying on boy's clothes in a store. Beyond that, there are no scenes of transphobic violence or assault. Joe's mother isn't accepting of her son, and her mindset is very realistic to how many real-life mothers treat their trans sons. One of my favourite scenes in this movie is when Joe simply watches his father, and other adult men, bowling together. He's spellbound and delighted by their masculinity. I adored seeing average-looking, average-bodied men being depicted as the object of a trans boy's fascination and gender euphoria, because I have felt that way too, and it's healthy to see normal bodies adored in an age of perfectly-sculpted celebrities and high standards. It felt like a celebration of typical men, finding the beauty in masculinity. I really cherished that scene. Entry last updated: 8 Feb 2026 Related Media Trans Male Media Browse

Jamison Green, an American trans man, is interviewed by American trans woman Calpernia Addams about issues that trans men/boys face. He discusses his experience of transitioning when he had a young daughter, and losing his relationship with a lesbian woman. Female-to-Male Transsexual Issues with Jamison Green Interview 2006 United States of America Jamison Green, an American trans man, is interviewed by American trans woman Calpernia Addams about issues that trans men/boys face. He discusses his experience of transitioning when he had a young daughter, and losing his relationship with a lesbian woman. Watch. Available Summary: Deep Stealth's Calpernia Addams talks with FTM activist Jamison Green about coming out issues for female to male transsexual men. -YouTube. Entry last updated: 28 Mar 2026 Related Media Trans Male Media Browse

Deadeye, a non-binary K-pop fan played by Chinese-American non-binary actor Sabrina Wu, accompanies friends on a chaotic trip to China. Joy Ride Film 2023 United States of America, China (中國) Deadeye, a non-binary K-pop fan played by Chinese-American non-binary actor Sabrina Wu, accompanies friends on a chaotic trip to China. Trailer. Available Summary: Four Asian American women experience mishaps and mayhem as they set out on a journey to China in search of one of their birth mothers. -Netflix. Note from Jack: Sabrina Wu, an actor who describes themself as transmasc, gender non-conforming, and non-binary, stars in Joy Ride as a non-binary character named Deadeye. Deadeye is canonically trans and also uses they/them pronouns but, according to Wu's interview with Variety , they asked that Deadeye not have a coming-out scene. Instead, reportedly, Deadeye's gender is normalised as an average, everyday character trait, rather than the focus of a storyline. I've not watched this one, but it sounds fun. WARNING: Adult themes. The trailer features hard drug use and a racial slur against Asian people. (Hilariously, though, the girl targeted with the slur immediately punches the racist kid in the face.) Entry last updated: 8 Feb 2026 Related Media Non-Binary Media Browse

Max de Morny, a trans and/or butch historical figure, is portrayed by Irish actress Denise Gough in this romance drama film. English trans male actor Jake Graf has a minor role. Colette Film 2018 England Max de Morny, a trans and/or butch historical figure, is portrayed by Irish actress Denise Gough in this romance drama film. English trans male actor Jake Graf has a minor role. Trailer. Critical Review Authored by Trans Man. Available Information: Colette is pushed by her husband to write novels under his name. Upon their success, she fights to make her talents known, challenging gender norms. -IMDb. Entry last updated: 24 Mar 2026 Related Media Ambiguously-Gendered Media Browse

Levi, a transmasculine drag performer played by American non-binary actor Theo Germaine, finds himself in a compromising situation when he is outed by a jealous drag queen. Boysugar Short Film 2021 United States of America Levi, a transmasculine drag performer played by American non-binary actor Theo Germaine, finds himself in a compromising situation when he is outed by a jealous drag queen. Trailer. Available Summary: Persuaded by a friend to come to the bar and perform, Levi, a transmasculine drag performer, finds himself in a compromising situation when he is outed by another jealous drag queen. -FilmFreeway. Entry last updated: 8 Feb 2026 Related Media Trans Male Media Browse

Leo Baker, an American trans and non-binary skateboarder, is filmed in the lead-up to the 2020 Olympics. Stay on Board: The Leo Baker Story Documentary 2022 United States of America Leo Baker, an American trans and non-binary skateboarder, is filmed in the lead-up to the 2020 Olympics. Trailer. Available Summary: From Netflix, Pulse Films, a division of VICE Media Group, and Flower Films comes a raw and immersive feature film that follows competitive skateboarding icon Leo Baker in the lead up to the 2020 Olympics. As he faces the sharpening stakes and intensifying disconnect between how the world sees him and who he knows himself to be, the pressure to keep on the course or be true to himself comes to a career and life-defining turning point. Stay on Board is Leo's journey balancing the gendered world of sports, transition, society, and skate culture, which ultimately leads him to the punkest thing imaginable. -Netflix, YouTube. Entry last updated: 10 Mar 2026 Related Media Non-Binary Media Browse

Bauer, a trans man played by Brazilian actress Ana Beatriz Nogueira, chooses a new name and goes by he/him/his pronouns, presenting as a man, binding his chest, and expressing a need for transition surgeries. He tries to navigate the world as a trans man and find love with a woman. Bauer was loosely based on Brazilian trans poet Anderson Bigode Herzer. Vera Film 1986 Brazil (Brasil) Bauer, a trans man played by Brazilian actress Ana Beatriz Nogueira, chooses a new name and goes by he/him/his pronouns, presenting as a man, binding his chest, and expressing a need for transition surgeries. He tries to navigate the world as a trans man and find love with a woman. Bauer was loosely based on Brazilian trans poet Anderson Bigode Herzer. Watch. Available Summary: Based on the tragically short life of Brazilian poet Anderson Bigode Herzer, this intense drama tells the story of Bauer, a trans man who navigates a difficult upbringing in an orphanage before finding love with a young librarian. He has the sympathy of his mentor, a professor who sees his talent as a poet, but struggles to be understood by others: “I’m not what everyone thinks I am. You hear me? I’m different. I’m something else. Something else.” One of the earliest portrayals in cinema of a [trans male] character, Vera features a remarkable lead performance by Ana Beatriz Nogueira, who received the Best Actress prize at the 1987 Berlin Film Festival. -The Criterion Channel. Jack's Summary: Before I review this film, I have to thank Adrian for recommending it to me! I am so grateful whenever anyone takes the time to recommend trans male media for inclusion on this site. Adrian, in addition to the recommendation of Vera , let me know that this film is inspired by the real-life Brazilian trans male poet Anderson Bigode Herzer, who died of suicide at the age of twenty, in 1982. As I watched Vera , and as I researched Herzer, I became incredibly frustrated. I am irritated, and actually quite angry, about the fact that I had never previously heard of this film, nor of Herzer himself. Before I started building this site, I had been told so many times that the first trans male movie was Boys Don’t Cry , a USA-made movie released thirteen years after Vera . I had read so many articles/posts which claimed to recommend all great and history-making trans films that ought to be watched, but which were comprised solely of trans female films and one single trans male film… Boys Don’t Cry . The history of trans male depictions onscreen is so much broader and more diverse than many commentators would have you believe, which I hope becomes apparent as people browse this site. The exclusion of Vera from retellings of trans media history is incredibly problematic, and is emblematic of the wider erasure of trans male representation. Nowadays trans men are more often included but, as the documentary Disclosure (2020) proved, we still have a long way to go when it comes to inclusivity of trans male and transmasculine media depictions. My hope is that, eventually, my frustrations about FTM erasure and invisibility will become irrelevant as things change for the better. All that being said, onto my review of Vera (1986)... Bauer remains firm in his male gender throughout the film. The trans male protagonist of this film initially does not speak, until a woman addresses him using the name Vera, at which point he firmly says, "My name is Bauer". Throughout the film he introduces himself using this name, and is usually addressed as such by colleagues and by his guardian. When he is later reminded of his legal name, by a different woman, he again asserts his true identity; "I am what I am. And my name is not Vera! My name is Bauer! I'm not a woman! I'm a man! Can't you see!" A seemingly contradictory choice... The title of this film is at odds with its own sensitively-depicted trans male protagonist, which is a contradiction attributable to the time the movie was made. As Bauer never medically transitions in the film (although he states that he will in the future), the title being his birth name is congruent with era-typical logic that a person ought to be addressed by their birth pronouns and name until they are able to undergo medical affirmation, at which point they will "become" a new gender. It makes complete sense to me that a film released in 1986 would title itself using such logic. It matters far more to me that Bauer is addressed by his chosen name for the majority of the film, and that the characters' interactions feel quite authentic to how a trans man might navigate the world in Bauer's situation. The beginning of the film establishes Bauer as a polite, quiet, fearful young man who spent most of his childhood in a state institution for minors. At that institution, many young women faced physical abuse, solitary confinement, sexual harassment, and implied sexual abuse at the hands of the male, adult staff. He himself was placed in solitary confinement at least once and is verbally harassed alongside the other youths (due to the fact that they all refuse to wear dresses or skirts), but otherwise faces no instances of actual assault or violence. Big Daddy and Bauer. In the institution, he is initially bullied by a young woman nicknamed Big Daddy, who assumes a male familial role over her peers (being referred to as "grandpa" and "father") and takes responsibility for protecting the girls. However, once Bauer is initiated, he gains respect and asserts his masculinity alongside Big Daddy. In fact, once Big Daddy comes of age and therefore has to leave the institution, she asks Bauer to take her place as the girls' protector and leader. A masculine female at the institute. I really enjoyed the film's explorations of gender roles and non-conformity in adolescence. Bauer aside, this movie has strong lesbian, butch, and tomboy themes, especially a scene where the institution youths express strong discomfort at being forced to wear dresses and shave their underarms. I find Big Daddy to be a really compelling character and I wish she could've gotten more scenes, and had her identity fleshed out. The head of the institute speaking to a teenage Bauer. Bauer himself is shown presenting masculinely throughout his youth, and developing romantic/sexual feelings for a feminine girl named Telma. His generosity and empathy is shown early in the film, when he places himself at risk of punishment to help her as she endures her own punishment. The former part of the film is dedicated to establishing Bauer as largely timid, if occasionally passionate and unruly. Bauer, newly an adult, with Paulo. Once he comes of age, a wealthy and established man (Professor Paulo) elects to become responsible for him, finding him accomodation and employment. Paulo is generous and intelligent, and addresses Bauer by his chosen name when speaking to him. I really loved that dynamic. Bauer's plan for the future. However, Paulo's open-mindedness can only stretch so far; when Bauer wears a men's suit to work and consequently loses his job, Paulo chides him for provoking such a reaction with irresponsible dress. This results in the following dialogue: BAUER: You know… Someday, when I save enough money, I’ll have surgery and solve this problem once and for all. PAULO: I don’t follow. BAUER: I’ll fix my gender, professor! I’ll become a real man! PAULO: I don’t believe that surgery is possible. BAUER: It is possible. It has to be. It’s possible in America! I’m not what everyone thinks I am. You hear me? I’m different. I’m something else! Something else! Ana Beatriz Nogueira, the actress who played Bauer, did a remarkable job in this role. You can really feel Bauer's frustration, devastation, and dysphoria as he desperately tries to communicate that he is a man and he needs people to affirm him. (This being several decades before a robust discussion about the casting of actresses as trans men, I'm unbothered by Nogueira being chosen to play Bauer.) Bauer's male identity being ignored. Bauer tries asserting his maleness in an inoffensive and calm manner but, when this doesn't work, he follows the example set by abusive institute wardens during his formative youth. In the latter part of the film he becomes arrogant, cocky, and (in two scenes) actually quite misogynistic. The trans male protagonist of this film compensates for his own powerlessness with machismo, but this does not last very long, and is supposed to seem like a shallow and unimpressive effort. It's always clear that the issue is not Bauer's trans identity itself; the real issue is the behaviours he falls back on in order to make people take him seriously as a man. I like that balance, and the fact that Bauer is a flawed character but not an indictment on those who experience gender incongruence. Rather, he feels very young and naive, his view of masculinity shaped by abuse, early experiences of sexism, and warped gender roles demonstrated to him in the institution. I am very impressed, actually, by the way Nogueira played a character with contradictory and warring sides to his personality. I can definitely see why Nogueira received an award for this performance, as it is very convincing and understandable. As a viewer, I understood why Bauer felt machismo and overcompensation was the only way he could survive. I disliked the character, in certain scenes, only to later find myself emotionally moved by the plight of this vulnerable young person who faced immense devastation. This is a really good movie in that respect. Clara reading Bauer's poetry. Bauer woos a woman named Clara, first with his gentleness and poetry, and later by treating her son kindly and passing as a man to her parents. However, their relationship is immediately impacted by his dysphoria and boundaries, neither of which Clara respects. She becomes angry that Bauer refuses to undress, and wants Bauer to admit that he is a woman attracted to women, as she herself ends up identifying. Clara and Bauer. The hardest part to watch, in my opinion, is a scene where Clara forces Bauer to reveal his pre-op chest. Though he pleads "no" in a distressed manner, she insists that she "won't accept" any intimacy or relationship unless he consents to being naked. Once he has taken off his singlet, she unwraps bandages from his chest and starts to touch him, causing Bauer to leap up from the bed and hurriedly dress himself. He tearfully says, "I'm sorry," before running out of the room. Bauer fleeing sexual coercion. At that point in the film, I became convinced that I was about to witness something quite horrific. Being aware that Herzer committed suicide at the age of twenty, I expected that this film would also end with the trans male protagonist taking his own life. But, while Herzer and Bauer's stories absolutely share similarities, I am glad to spoil the ending of the film by saying that Vera 's fictional trans man has a far less tragic ending than what Herzer was driven to. Bauer's final scene. The movie ends with Bauer returning to the now-dilapidated institute, and sitting against a wall as he cries. It's a sad ending, sure, but Bauer is not dead. Given that I went in with that expectation, the ending feels almost hopeful. Most of us who have transitioned have found ourselves similarly distressed and isolated, and plenty of us survive to have the surgeries we need to alleviate our dysphoria. The fact that the filmmakers kept Bauer alive, rather than sealing his fate with an act of self-inflicted injury, means that he might have picked himself up after the conclusion of the movie, which is what I choose to believe. WARNING: Unsafe chest binding and potentially confronting themes. All in all, I really liked this film, especially considering it was made in the eighties! The title really does a disservice to the actual content of the movie itself, and the trans male protagonist's characterisation. Unsurprisingly, given the social context, the chest binding in this film involves bandages. Learn more about chest binding here. In terms of general warnings, you should prepare for the following: Bauer holding up bloodied hands after discovering that he is menstruating. A grown man punching a teenage girl in the face, at the institution. This moment is brief, and the action itself looks very pretend, but proceed with caution nonetheless if that might upset you. After a teenage Bauer discovers that Telma (also a teenager) is flirting with an adult male staff member, he follows the example which has been set by his peers; he yells at her and intimidates her, threatening to confront the orderly unless she stops sneaking out to meet him. This is ultimately done to protect her, within the logic of the institutionalised community, but it is still quite an intense scene to watch, and it symbolises the beginning of Bauer's misogynistic machismo. One instance of a homophobic slur. The head of the institution mocking the youths' masculinity, as Bauer and the girls refuse to wear dresses/skirts instead of trousers. He degrades them and tells them that, if they think they are "tough boys", they should undress and prove it by showing their "cocks". This is a very difficult scene to watch. Later, a gender non-conforming youth is made to walk in front of everyone else, wearing a skirt. Regarding the last point though, I actually really enjoyed the fact that Bauer was not the sole focus of the institution's strict enforcement of gender roles and femininity. Sure, Bauer speaks up and expresses discomfort at being forced to dress in a way that causes him dysphoria, but the discomfort and distress of other youths is considered equally (if not more) important, which I appreciated. He is not the only one with boundaries and preferences. He is surrounded by girls who find empowerment and freedom in the wearing of shorts and trousers. The viewer is encouraged to wonder whether any of the other youths are gender-diverse, whether they are tomboys, whether they are lesbians (some certainly are), and/or whether they are simply heterosexual young women dressing in a way that frees them from sexist expectations. I like the fact that there is diversity of preference, style, identity, and manner beyond Bauer, and that this diversity is allowed to exist without labels. Entry last updated: 1 Mar 2026 Related Media Trans Male with Female Browse

Harper, a tomboy played by American trans male actor Isaiah Stannard, struggles to fit in with female peers and is uncomfortable wearing feminine clothing. Party Dress Short Film 2017 United States of America Harper, a tomboy played by American trans male actor Isaiah Stannard, struggles to fit in with female peers and is uncomfortable wearing feminine clothing. Watch. Available Summary: Harper Klein, a 12-year-old tomboy attends a birthday party in a pink party dress. -IMDb. Jack's Summary: This is a very sweet, and very short, film about gender non-conformity in youth. A tomboy, played by American trans boy Isaiah Stannard (credited by a different name), tries to fit in with girls and then realises that skating with boys and young men would be much more comfortable. Again, very short, but nonetheless affirming and relatable for many people who grew up as tomboys. Entry last updated: 8 Feb 2026 Related Media Ambiguously-Gendered Media Browse

David Schreibner, a trans man played by German trans male actor Lukas von Horbatschewsky, features in tree seasons of this show. Druck (Skam Germany) Show 2018 Germany (Deutschland) David Schreibner, a trans man played by German trans male actor Lukas von Horbatschewsky, features in tree seasons of this show. Available Summary: Druck follows a group of friends in their teen life in Berlin, and deals with daily and current events, like friendship, love and the search for their own identity. Every season centers on a new character. -Wikipedia. Jack's Summary: David Schreibner, a trans young man, is played by a trans male actor named Lukas von Horbatschewsky. According to the show's wiki, "David Schreibner is a main character in the first generation of Druck . He is a main character in the third and fourth seasons, and a guest character in the seventh." You can watch his coming out scene here . Entry last updated: 8 Feb 2026 Related Media Trans Male Media Browse

Tamil-Sri Lankan-American trans man D'Lo, a trans writer and actor and comic, is the focus of this documentary, which also examines his relationship with his parents. Performing Girl Documentary, Short Film 2013 United States of America, Sri Lanka (ශ්රී ලංකා), India (Bhārat Gaṇarājya) Tamil-Sri Lankan-American trans man D'Lo, a trans writer and actor and comic, is the focus of this documentary, which also examines his relationship with his parents. Watch. Related Article. Available Summary: An award-winning and entertaining look at the early life of DʼLo; world-famous queer, transgender, Tamil Sri Lankan American actor, writer and comic who got his start performing for his family and classmates in Lancaster, CA. Through interviews, animation, home movies and performance clips, DʼLo and his parents tell the story of how his identity and their relationships have changed over time. -Amazon. Entry last updated: 8 Feb 2026 Related Media Trans Male Media Browse