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Shy, a trans man played by American trans male actor Silas Howard, forms an unlikely friendship with an ambiguously-gendered person named Valentine, played by trans actor Harry Dodge. By Hook or by Crook Film 2001 United States of America Shy, a trans man played by American trans male actor Silas Howard, forms an unlikely friendship with an ambiguously-gendered person named Valentine, played by trans actor Harry Dodge. Trailer. Available Summaries: Shy, a trans man, leaves his small town in Kansas for San Francisco after the death of his father. Along the way, he encounters Valentine, a quirky adoptee in search of his birth mother. An immediate kinship is sparked between the two men and they become partners in crime with Val’s lover Billie to stay financially afloat. The duo faces money troubles, emotional problems, and physical confrontations as they learn to trust and support each other in pursuit of their goals. -Wikipedia. By Hook or By Crook is a buddy film that chronicles three weeks in the life of a handsome, gender-bending, small-town butch with a nagging messiah complex. -Harry Dodge. Entry last updated: 8 Feb 2026 Related Media Trans Male Media Browse

Chris Winters, an elderly English trans man with a female partner, thinks back on his life and imagines what it would've been like to transition earlier. Chris is portrayed by several different actors, including Elliot Sailors, an American genderfluid model/actor. Written and directed by English trans man Jake Graf. Dusk Short Film 2017 England, United States of America Chris Winters, an elderly English trans man with a female partner, thinks back on his life and imagines what it would've been like to transition earlier. Chris is portrayed by several different actors, including Elliot Sailors, an American genderfluid model/actor. Written and directed by English trans man Jake Graf. Watch. Available Summary: Growing up in 1950s England in an intolerant and uninformed world, young Chris Winters struggles to fit into the gender roles dictated by wider society. A more than tough childhood left behind, Chris meets dream woman Julie, and life lightens a little, but the growing feeling that theirs is a life half-lived haunts Chris. Endlessly imagining what might have been, Chris is finally struck by the realisation that for some decisions there is no right answer, and that it's those that truly define us. Starring trans actors in both cis and trans roles, Dusk is the award-winning trans short that stormed the festival circuit in 2017/2018, screening at 87 festivals internationally. -Vimeo. WARNINGS: Unsafe chest binding , confronting themes. The bandage binding in this short film makes sense, given its setting, but no disclaimer is shown before or after the film, informing viewers that they should not follow this example. Honestly, this is a very beautiful film that I highly recommend watching, but you should be prepared for lesbophobia, homophobia, transphobia, sexual harassment, a gay bashing, and misogyny. Entry last updated: 9 Mar 2026 Related Media Trans Male with Female Browse

Masoud El Amaratly, an Iraqi folk singer, was born female and lived as a man; a Mustarjil in Ahwari culture. This compilation features eight of his songs. اغاني مسعود العمارتلي ١٩٣٣ (Songs of Masoud El Amaratly) Music 1933 Iraq (ٱلْعِرَاق) Masoud El Amaratly, an Iraqi folk singer, was born female and lived as a man; a Mustarjil in Ahwari culture. This compilation features eight of his songs. Listen. Available Information: Masoud El Amaratly is an Iraqi singing legend. Born at the turn of the 20th century, in the lush marshes of southern Iraq, El Amaratly captured Iraqis’ hearts with his powerful renditions of Rifi folk songs that evoked a sense of lament, melancholy and longing... El Amaratly is not only one of Iraq’s most famous singers; he is also one of the Arab World’s most well-known transgender icons... While working as a shepherd at a town elder’s home, El Amaratly would start his day at dawn singing rural folk songs. One day while he was out in the fields, two men followed Masoud in an attempt to harass him. He stopped them, bound them, and led them to his employer’s home, where they confessed. The town’s people praised his courage for stopping and standing up to the harassers. At that point, Masoud’s appearance was still feminine-presenting, but his job as a shepherd, as well as his actions which were perceived by his community as “strong” and “masculine,” created the perfect opportunity for him to begin expressing his gender identity on the exterior. From that moment onwards, he reportedly began donning traditional male dress (Shemagh and Agal). It was also around the same time that his singing began to gain praise too, and he was invited to perform at various occasions around town. He later moved to Al-Amara, in south-eastern Iraq, where he would sing in cafes... After serenading his adoring fans for years, Masoud El Amaratly later returned to his hometown and married a local domestic worker. He then got married again to a lady called Kamila. - Marwan Kaabour . Mustarjil is an Arabic term meaning “becoming [a] man.” Although it can be used derogatorily to refer to women who are perceived as having a masculine appearance and/or mannerisms, in Iraq’s marshes, it existed as a gender identity. Within the context of the Ahwari community, Mustarjil was a common gender identity, where people assigned female at birth decide to live as a man after puberty, and this decision was generally accepted in the community. - Marwan Kaabour . Entry last updated: 28 Mar 2026 Related Media Culture-Specific Media Browse

Kris, a Norwegian trans man in a multi-partner relationship with gay men David and Sindre, decides to carry a pregnancy. Fatherhood Documentary 2025 Norway (Kongeriket Norge), Iceland (Ísland), Germany (Deutschland) Kris, a Norwegian trans man in a multi-partner relationship with gay men David and Sindre, decides to carry a pregnancy. Trailer. Available Summary: Between 1989 and 2016, Norway subjected hundreds of trans people to mandatory sterilisation, forcing them into a cruel bargain: surrender having children in exchange for legal gender recognition. Told his womb wasn’t viable due to years of testosterone, in 2009 Kris’s doctors made the unusual decision to only remove his ovaries. But when a routine gynaecological exam years later reveals Kris’s womb is healthy enough to carry a pregnancy, it means a lifelong dream of being a father with his loving partners David and Sindre is suddenly possible. Fatherhood follows the trio over the course of their pregnancy; from endless doctor’s appointments and picking nursery decor, to explaining their relationship to curious outsiders. Capturing the overwhelming joy fatherhood brings to all three men and their families, it’s a touching ode to the beauty of non-traditional families that doubles as a rallying cry for justice and healing. - QueerScreen . Entry last updated: 16 Mar 2026 Related Media Fatherhood and Parenthood Browse

Two American trans men, including Steve Dain, are interviewed about their transitions, childhoods, experiences of discrimination, goals for the future, and overall lives. Trans women are also interviewed. What Sex Am I? Documentary 1985 United States of America Two American trans men, including Steve Dain, are interviewed about their transitions, childhoods, experiences of discrimination, goals for the future, and overall lives. Trans women are also interviewed. Watch. Available Summary: What Sex Am I? is a 1985 documentary film directed by Academy Award winner Lee Grant. The film follows a group of transgender individuals in mid-1980s America. Originally aired on HBO, the film is notable for its educated and sympathetic treatment of its subject, more in line with 21st century sentiment than those of the 1980s. -Wikipedia. Entry last updated: 12 Mar 2026 Related Media Trans Male Media Browse

Naveen Bhat, a non-binary person, is interviewed alongside their partner, their partner's family, and Indian LGBT+ activists, with the documentary focusing on the illegal detainment of Naveen in India by their parents, and their subsequent escape to the U.S.A. Escaping Agra Documentary 2016 India (Bhārat Gaṇarājya), United States of America Naveen Bhat, a non-binary person, is interviewed alongside their partner, their partner's family, and Indian LGBT+ activists, with the documentary focusing on the illegal detainment of Naveen in India by their parents, and their subsequent escape to the U.S.A. Available Summary: In Escaping Agra we meet Naveen Bhat, a non-binary UC Davis college student held against their will in India when their gender identity is discovered. Naveen must battle their parents in court and piece their life back together, in this short documentary about self-discovery and perseverance. - Frameline . Jack's Summary: In this short documentary, Naveen Bhat talks about their journey and hardships. From the age of three, Naveen lived in America. A few weeks after their mother discovered that they were trans, they were contacted by their family in India and told that their grandmother was sick. In actuality, their family wanted them to travel to India so that they could be "fixed". Once Naveen arrived, their family confiscated their phone, computer, and travel documents, effectively imprisoning them in India. They were expected to live as a woman, adhere to traditional expectations, and enter an arranged marriage. Naveen discusses enduring physical and emotional abuse from their family, particularly their mother, and eventually fleeing India with the assistance of Indian LGBT+ activists and their partner's family in America. In parts, this short documentary is confronting... But it's also very sweet, with Madi (Naveen's partner) and Madi's parents sheltering Naveen in the USA. It's clear that Madi's parents don't entirely understand Naveen's non-binary identity, but they hug Naveen and insist on protecting them regardless. Justice Vikramajit Sen, of the Supreme Court of India, speaks firmly and positively about the human rights of trans people, which I very much enjoyed. Rituparna Borah, a queer feminist activist in New Delhi, refers to Naveen with he/him/his pronouns while discussing evacuating Naveen from India. In this 2015 article , and in other sources, Naveen identifies themself with he/him/his, so it is possible that Borah is not intentionally misgendering them, but rather, does not know that their pronouns are different nowadays. In a touching moment, Naveen reacts with a delighted smile when they receive their first testosterone shot. Their partner is sitting next to them, a hand on their shoulder, supporting them while the nurse explains how a testosterone injection works. Overall, this is a very important and touching short film. This film was previously available on Vimeo, but has been taken down since I watched it there. Entry last updated: 8 Feb 2026 Related Media Non-Binary Media Browse

Trevor, a trans man played by American trans male actor Elliot Fletcher, is a gay social worker who dates a main character in seasons 7 and 8. Shameless (US, S7, S8) Show 2016 United States of America Trevor, a trans man played by American trans male actor Elliot Fletcher, is a gay social worker who dates a main character in seasons 7 and 8. Scene. Available Summaries: Set in South Side, Chicago, this drama follows Frank Gallagher, a neglectful single father of six who spends his leisure time drinking at bars since his wife left the family due to bipolar disorder. Due to the absence of a parental figure, the Gallagher children try to get through their days by running countless scams, affairs, and petty crimes throughout Chicago. -Wikipedia. Trevor was the love interest for Ian Gallagher in the seventh season. He is a Social Worker at the local LGBT center and has a great taste in music. - Shameless wiki . Entry last updated: 22 Feb 2026 Related Media Trans Male with Male Browse

In this fantasy roleplaying game, players are Rook, a hero working to save the world. Rook can be made canonically trans during character creation. There is a non-binary main character, a non-binary main antagonist, and several trans minor characters. Dragon Age: Veilguard Game 2024 Fictional Location, United States of America In this fantasy roleplaying game, players are Rook, a hero working to save the world. Rook can be made canonically trans during character creation. There is a non-binary main character, a non-binary main antagonist, and several trans minor characters. Trailer. Available Summary: The story follows a customisable player character called Rook as they prevent the elven trickster god Solas from ending the world. In the process, Rook accidentally frees two other amoral elven gods and must also prevent them from conquering the world. -Wikipedia. Jack's Summary: Rook can be trans female, trans male, or non-binary, and the player can choose pronouns. Body shape, body characteristics, and voice can be chosen independently of gender or pronouns. The player can also choose how certain Rook is in his/her/their gender; whether Rook is still exploring or settled in a gender identity. Top surgery scars are available as part of the character creation. One of the player's main companions comes out as non-binary during the game, and can be romanced. They are voiced by American non-binary actor Jin Maley. The player can encounter other gender-diverse characters throughout the game; a trans male soldier/spy, a trans female politician, a non-binary main antagonist, and a non-binary healer. The healer was the only trans character who, in my opinion, had an awkward and shoehorned trans backstory. Multiple companions, if romanced, will supportively comment on Rook's trans status, whereas other romance storylines will not bring it up at all. Erika Ishii, an American non-binary actor, provides one of the available Rook voices. In terms of the game overall, I personally think that Dragon Age: Inquisition was better in terms of roleplay outcomes, a range of different endings, and players' choices having nuanced impacts on the world state. I was also disappointed that certain significant choices made in Inquisition were not carried through to Veilguard, and I felt that slavery, racism, and class conflict were better explored in Inquisition. It was cool to play a sequel which offered trans storylines and characterisation, though. If you're looking to experience that in a game, it is worth playing. That said, I was disappointed that the in-game trans identity Aqun-Athlok was not really explored, only being mentioned in passing. Entry last updated: 11 Mar 2026 Related Media Trans Male Media Browse

American trans men El Cook and Logan Ireland are filmed as they advocate to end the ban on trans and gender-diverse people serving in the U.S.A. military. They are filmed alongside other trans servicepeople, advocates, friends, and family. TransMilitary Documentary 2018 United States of America American trans men El Cook and Logan Ireland are filmed as they advocate to end the ban on trans and gender-diverse people serving in the U.S.A. military. They are filmed alongside other trans servicepeople, advocates, friends, and family. Trailer. Available Summary: During a time when transgender people are banned from the US military, four of the many transgender troops battle to gain the freedom they deserve. -Apple TV. Entry last updated: 28 Feb 2026 Related Media Trans Relationships Browse

Chris, a trans male barista played by American non-binary actor Theo Germaine, falls in love with an older queer woman named Abby, played by American actor Abby McEnany. The series is semi-autobiographical and based on Abby McEnany's life. Work in Progress Show 2019 United States of America Chris, a trans male barista played by American non-binary actor Theo Germaine, falls in love with an older queer woman named Abby, played by American actor Abby McEnany. The series is semi-autobiographical and based on Abby McEnany's life. Trailer. Available Summary: Abby is a 45-year-old self-identified fat, queer dyke whose misfortune and despair unexpectedly lead her to a vibrantly transformative relationship. -DVD blurb. Jack's Summary: This show is incredibly sweet and authentic, right down to the casting of main and side characters. A 45-year-old, self-identified "fat, queer dyke" (who also identifies as "not a lesbian") falls in love with a 22-year-old trans man after meeting him at the restaurant where he works. The series tackles issues including family conflict, suicide, death, STI stigma, bathroom safety, OCD, and dysphoria, but it's not depressing to watch. It's a pretty big deal for me to say that, because I am diagnosed with OCD, and one of the sub-types I experience is Self-Harm/Suicidal OCD. For this series to so prominently feature suicidal ideation and disordered compulsions, and still be a feel-good experience for me, is very significant. Work in Progress is one of the most unique shows I've ever seen, and it's very funny! I would not trust many shows or films to portray a romance between a "dyke" and a trans man, without delegitimising and invalidating the manhood of the trans guy involved. As it is, Work in Progress is very respectful and emphasises that Chris is happy to enter into the relationship. Abby sees Chris as a man, and refers to him as such. I really enjoyed Abby and Chris's discussions about sexual preferences and dysphoria. I highly, highly recommend this show. I have seen some people having knee-jerk negative reactions to this show, without even seeing it, based on the fact that a trans male character is in a relationship with a self-identified dyke. While I understand that negative reaction, I would like to gently remind people that, yes, some trans men do happily and knowingly have sexual relationships with dyke-identifying women, and even lesbians. (I have also known trans women that have sexual relationships with gay men.) While some trans men, myself included, have sexual identities closer to that of binary cis males, it is more complex for some in our community. We need to make space for that complexity and accept it. That being said, this show is an exception in portraying such a relationship gracefully and respectfully, and I can easily imagine other shows/films doing a very poor job. This is a semi-autobiographical series, based on the lived experiences of Abby McEnany. In this interview , she discusses her identity and life history; "I don't identify as a lesbian anymore. I identify as a queer dyke or a queer woman... I never felt like a lesbian-lesbian because I still was attracted to some men. Also, I think the word dyke is very powerful, and I feel like dykes can do whatever the fuck they want. Then I started dating a young trans man. If I was still referred to as a lesbian, I'd be totally negating his gender. Alex isn't a woman. Alex is a man. So, then I was like, "Okay, I'm queer. I'm dyke-identified." I made up "queer dyke" for myself. It makes sense to me." We all feel differently about language and labels, and certainly, this show may not be your cup of tea... or you may adore it. Entry last updated: 2 Mar 2026 Related Media Trans Male with Female Browse

Pin-Lee, a non-binary lawyer played by American-Chinese non-binary actor Sabrina Wu, travels to other planets on a research mission. They are accompanied by a team (which includes their wife and polyamorous male partner), and by the robot protagonist. Murderbot Show 2025 United States of America, China (中國) Pin-Lee, a non-binary lawyer played by American-Chinese non-binary actor Sabrina Wu, travels to other planets on a research mission. They are accompanied by a team (which includes their wife and polyamorous male partner), and by the robot protagonist. Trailer. Available Summary: A media-obsessed private security construct (manufactured from cloned human tissue and mechanical parts) calling itself Murderbot must hide its newly acquired autonomy while completing dangerous assignments and being simultaneously drawn to humans, and appalled by their weakness. -Wikipedia. Jack's Summary: I absolutely adore this science fiction action comedy. I highly recommend watching it, even beyond the non-binary representation. Murderbot. The protagonist, a robot crafted with lab-grown human tissue, has taken control of its system and solidified its sentience. While this technically allows it to act of its own free will, doing so would result in being "decommissioned" and melted down. Used and abused by humans, and practically unable to disobey regardless of what happens, it finds escapism in fantasies of violent resistance (privately naming itself Murderbot) and watching fantasy drama shows. A research team with unconventionally progressive views, at least in terms of the in-fiction universe, request funding and support for planetary exploration. In order to access these resources, they must also agree to be accompanied by a Security Unit. The team, hailing from a society which views SecUnits as living people, consider this tantamount to slavery, but have no choice. They choose the most inexpensive SecUnit available, unaware that their robotic companion is defective and is capable of disobeying commands. What ensues is chiefly funny and entertaining, so what I did not expect was to find myself crying during the penultimate and final episodes, and to find the robot itself so relatable. This might sound ridiculous but, as an autistic man, I have never related to another character (in terms of neurodivergence) as much as I relate to the protagonist of this series. I can only assume that the obvious parallel to autistic experiences was deliberate, but regardless of filmmaking intent, I know that I am not the only autistic person to find the end product deeply meaningful. Returning to Pin-Lee themself, they are canonically non-binary, but this is not made explicitly evident until episode three, when they are referred to as "they" by Murderbot. Were you not paying attention in that moment, you might even miss that one syllable. Pin-Lee and their wife being held hostage. Their gender is simply portrayed, rather than being explored. Their relationships with Arada (their wife), Ratthi (their throuple partner), and the team overall are more explored than their gender is. They are just another member of the team, and they happen to be non-binary as well. Running this website has taught me that there are many different ways representation can be handled, but that there are two broad categories; representation built through gender-focused plotlines and discussions and conflict, and representation built through normalisation. While both categories offer something different, I have increasingly grown to adore the latter category, as long as it is done well... and Murderbot is done well. Pin-Lee's identity is, in a word, normal. And the other characters, unique in their own ways and often quite weird, are also somehow very normal. I like this show because it's great. Representation is a bonus. Go watch it. Entry last updated: 20 June 2026 Related Media Non-Binary Media Browse

Saskia, a non-binary butch lesbian who is 15 months on testosterone and experiences gender dysphoria, discusses this hormone journey and offers an individual perspective on masculinity, butchness, and gender overall. Saskia also mentions being unable to bind, and desiring top surgery. let's talk about being a butch lesbian on testosterone Talking Head 2025 England Saskia, a non-binary butch lesbian who is 15 months on testosterone and experiences gender dysphoria, discusses this hormone journey and offers an individual perspective on masculinity, butchness, and gender overall. Saskia also mentions being unable to bind, and desiring top surgery. Watch. Note from Jack: Saskia's experiences are not universal, and it is worth noting that some of the comments made in this video may feel invalidating or inaccurate for certain butches. Everybody is different, and it is important to consider yourself the expert on your own experience of butchness. That said, I am very glad to see any butch openly discussing their experiences with gender-affirming medical care. Entry last updated: 26 July 2026 Related Media Butch Media Browse