Cremisius Aclassi, also known as Krem, is a trans male mercenary and a supporting character in this fantasy game. He is voiced by Canadian-American voice actress Jennifer Hale. Dragon Age: Inquisition Game 2014 Fictional Location, Canada, United States of America Cremisius Aclassi, also known as Krem, is a trans male mercenary and a supporting character in this fantasy game. He is voiced by Canadian-American voice actress Jennifer Hale. Available Summary: When the sky opens up and rains down chaos, the world needs heroes. Become the savior of Thedas in Dragon Age: Inquisition . You are the Inquisitor, tasked with saving the world from itself. But the road ahead is paved with difficult decisions. Thedas is a land of strife. Factions constantly war with each other even as a larger demonic invasion has begun. And you? You and your band of champions are the only ones who can hold it together. It’s your job to lead them...or fall. -Steam. Jack's Summary: Cremisius Aclassi, also known as Krem, is a trans male mercenary whose inclusion in this game I really appreciated when I originally played it. Throughout the game, he discusses being raised by a father who was willing to treat him like a boy, then growing up and serving as a soldier for Tevinter. Tevinter is a magocracy where those without magical abilities are subjugated and often forced into slavery. The Aclassi family were not mages. After watching his own father sell himself into servitude when his tailoring business was unable to compete with cheap clothes produced through slave labour, Krem enlisted in the army as a man. When the player asks why he decided to live as a man, Krem replies, "I didn’t decide anything. I’ve been like this my whole life." If the player asks how his family reacted when he came out as a trans man, Krem says, "My mother wanted to throw me out. She said, if I didn’t marry well, I was dooming the family to slavery. She was happy to take the money I sent as a soldier, though. Not that it mattered, in the end. My father… when I was little, he’d angle his mirror down so I could pretend to shave, just like him. He never said anything, but I think he knew." Regarding his military service and how he met his company's mercenary leader, The Iron Bull, Krem explains, "Women are allowed to serve, but only in certain ranks and disciplines... The healer I’d bribed to sign off on my physical had to tend a sick magister. When the replacement healer saw what was, or wasn’t, in my pants, he made threats. It was slavery or death, so I knocked him out and ran... A tribune and his men caught me in a border town tavern. They meant to make an example of me. Bull killed them. Gave up his eye doing it. He patched me up and asked if I was looking for work. I’ve been putting up with his jokes ever since." The Iron Bull will defend Krem's identity if the player asks questions, unwavering in his insistence that Krem is a real man. Depending on the player's choices, Krem has three possible endings; he continues working as a mercenary with Bull, he begins a relationship with a singer named Maryden Halewell and travels with her, or he dies as part of a military operation when the player is forced to choose the lesser evil. While I could understand people being angry that BioWare's first trans character can be killed off by the player, his death has huge consequences. If Krem and the other mercenaries are killed, Bull will turn on the player later in the game, even if he loves the player and has pledged himself to them in a tradition which is comparable to marriage. This is a game where romances are monogamous. Even if you have committed to Bull, if you have devoted your entire run to that romance, it doesn't matter. If you kill Krem and the others, you will have no choice but to murder Bull, or he will murder you. Honestly, I still treasure Krem, and there are only two aspects of his character that I would criticise. Firstly, it would have been fantastic if he were voiced by a trans male voice actor. Secondly, the player is able to ask very personal questions about Krem pretty quickly, including the following: PLAYER: If you had the chance to use magic, would you change all the way? KREM: What? No. I don’t want any magic like that within ten yards of my body. When I was younger… I don’t know. Everyone has silly dreams. In Tevinter, dreams like that get you killed. Bull helped me make a good life. Nice armor and a well-placed sock, and I’m happy. That dialogue feels realistic to questions I have also been asked, even by acquaintances, brand new friends, and friends who have not seen me for a long time. Wanting to know whether I will "change all the way," or whether I am "fully a man," is very typical of people whose curiosity about trans bodies overrides the restraint they would otherwise show when asking people about their genitalia. Having Krem respond by saying, "None of your business," would've been better. While BioWare did consult the trans community when developing Krem, it's clear that they had more to learn. And they did, in fact, learn; while Dragon Age: The Veilguard has flaws, and is arguably an inferior game in terms of varied endings and roleplay outcomes, its trans representation is far better. Entry last updated: 8 Feb 2026 Related Media Trans Male with Female Browse

Finn, a deaf trans man played by Greek-Australian deaf actress Yiana Pandelis, begins dating a cis gay man while also starting his medical transition and fighting to protect his deaf community. Unsound Film 2020 Australia, Greece (Ελλάς) Finn, a deaf trans man played by Greek-Australian deaf actress Yiana Pandelis, begins dating a cis gay man while also starting his medical transition and fighting to protect his deaf community. Trailer. Available Summary: A disillusioned musician's romantic spark is ignited by a young trans man as they work together to save his community nightclub for the deaf. -IMDb. Jack's Summary: The plot of Unsound is that Finn, a deaf trans man, struggles to balance his professional life with his personal journey. He is fighting to save his nightclub, which caters specifically for deaf people, while also navigating the earliest stages of his female-to-male transition. Finn's transition is made all the more difficult due to audism. For example, when his father (Lewis) speaks aloud for him, he allows Finn to be misgendered even when Finn is standing right there, making Unsound a multi-layered story about personal agency. Lewis, who is fluent in sign language and knows Finn is asking to be referred to correctly, ignores his son's request. Noah, a cis male musician and gay man, moves back in with his mother, who lives in the same area as Finn’s nightclub. While wandering he happens upon the nightclub and meets Finn. Finn, who is dysphoric about his appearance and particularly about his long hair, is visibly worried about how Noah will perceive him. In a very sweet moment, Noah says it is “crystal clear” that Finn is a guy, setting the foundation for a lovely developing relationship in which Noah learns sign language to communicate with Finn, and actively becomes involved in Finn’s identity journey. The film explores Finn’s difficult relationship with Lewis, as well as with the memory of his deceased mother. He says how, every time he looks in the mirror, he sees her. This is a struggle I have heard real-life trans men discuss, so it was nice to see it explored in this fictional setting. Noah pushes Finn past his hesitation by simply walking up to him and handing him a pair of scissors, saying, “whatever you choose to do, I wanna be there with you”. He sits with Finn and helps him cut his hair. Finn cutting his hair. The haircutting scene exemplifies the shortcomings of Unsound . Finn is played by a self-described queer woman and actress named Yiana Pandelis. In interviews ( this one included ), she and other film staff talk about wanting to avoid the clichés of trans representation... but, as someone who has watched a lot of FTM films and shows, I can confirm that a young trans man cutting his hair with kitchen scissors, in front of a mirror, is about as cliché as you get. And a trans man being played by a slender, light-skinned, naturally androgynous actress (rather than a trans male) is mega cliché. But, on the other hand, stereotypes do come from somewhere, so I’m willing to concede that Finn’s haircutting scene probably resonates with quite a few trans men. I know my first short haircut meant a great deal. That doesn’t change the fact that, when it comes to trans themes, all Unsound offers is stereotypes. That’s not necessarily a bad thing, given the lack of violence and rape and hostile transphobia, but it does limit what Unsound is. While the official Unsound website notes that multiple transgender consultants were involved with the film, that’s window dressing which doesn’t compensate for the fact that the filmmakers considered a deaf actor essential in a deaf role, but didn’t consider trans male authenticity to be equally crucial. I discuss the importance of trans actors in trans roles in my Dead of Summer review, but the TL;DR is that trans men should be portrayed by trans men for the following reasons: To combat anti-FTM rhetoric that we are just women playing dress-up. To give trans viewers a trans male actor to connect with. To improve trans male storylines based on lived experience. To increase the visibility of trans men in acting industries. Finn lifting weights. When trans male actors play trans male characters, the impact of their involvement goes beyond what they show onscreen, because they've undergone female-to-male transitions in their own lives and gained an intimate understanding of the things trans men go through. Further trans male involvement with Unsound may have, for instance, avoided a scene where Finn weightlifts while wearing a chest binder, which sets a dangerous example for viewers who may injure themselves by doing the same. Considering the fact that Unsound was released in 2020, when evidence cautioned against exercising while binding, the filmmakers should've known better. At the very least, while some people are capable of exercising in binders, that comes with huge caveats; a larger binder may be necessary to prevent pain and injury, exercise duration/intensity may need to be limited for safety, and a compression sports bra is much, much safer. None of that information is included in Unsound . Learn more about chest binding here. Finn arguing with a fellow deaf person. Despite its failings, this film does offer a trans man who has genuine interests and passions beyond being trans. Finn’s trans identity is equally as important as his deaf identity, and you couldn’t accuse Unsound of reducing a character down to his gender identity alone, even if the movie can be justifiably criticised for other reasons. Finn shows real energy, emotion, and anger about being ignored and silenced as a deaf man, and he does feel like a whole person beyond his trans status. All in all, this is a decent film… up to a point. At some stage in the filmmaking process, the creative minds behind Unsound decided to jettison a compelling, sweet relationship for cheap romantic conflict. The supportive, calm, and reasonable Noah shows patience and understanding for Finn from their very first meeting, going beyond mere acceptance and choosing to involve himself in Finn’s life, language, and gender affirmation. Then, he abruptly changes his tune. While he doesn’t become unsupportive, and the conflict in Unsound is nothing more distressing than what you’d find in a stereotypical cishet romance/drama flick, Noah's sudden need to flee their relationship doesn’t make sense. Therefore, casting aside, the biggest issue with Unsound is Noah’s contradictory character development, and the focus on romantic conflict rather than something more compelling. It would've been fantastic, for example, to involve actual trans actors, and particularly disabled trans actors, so that Finn could bond with others about difficulty accessing trans spaces. That would've been a lovely way to draw attention to a persistent issue in gender-diverse communities, and would've given this movie an authenticity it currently lacks. The ending isn’t sad, but I wouldn’t necessarily call it happy either. It’s bittersweet, courtesy of the needless romantic conflict. Ultimately, I’m glad to have watched Unsound . As objective as I can be in my reviews now, as an adult man who has finished his transition, I know that in my youth I probably would've been hugely changed by this film! I wouldn't agree that "any representation is good representation", but Unsound certainly isn't the worst thing trans men could be engaging with. WARNING: Potentially confronting themes. In terms of general warnings, Unsound isn't too bad, but there is the following to consider: Deadnaming of Finn during an argument. Plate-smashing and other aggressive actions during the same argument. Audism and ableism. Also, side note... Contrary to Noah's comments in the film, no, not all trans men cut their hair short, and it's not necessarily the first thing a trans man does when transitioning. Some trans men (and– gasp –men overall) do have long hair. If you ever meet a trans man with long hair, I do not recommend asking him why he hasn't gotten rid of it! Entry last updated: 28 Feb 2026 Related Media Trans Male with Male Browse

American trans men Victor Thomas, Lucah Rosenberg Lee, and Sasha Alexander are interviewed about their transitions, sexualities, thoughts about LGBT+ spaces, experiences of racism, and hopes for the future. Passing: Profiling the Lives of Young Transmen of Color Documentary 2015 United States of America American trans men Victor Thomas, Lucah Rosenberg Lee, and Sasha Alexander are interviewed about their transitions, sexualities, thoughts about LGBT+ spaces, experiences of racism, and hopes for the future. Watch. Available Summary: Passing examines experiences of racism and sexism today, through the eyes of three transmen of colour. -Vimeo. Jack's Summary: Everybody should engage with the insights that these men can offer, no matter your gender or sexuality or ethnicity. They discuss invisibility, transitioning, sexuality, relationships, and feeling erased within LGBT+ spaces. It is an absolutely wonderful film that I highly recommend watching. Trans men are historically (and currently) often erased, and this is especially an issue for trans men of colour in certain spaces. This documentary is eloquent way to push back against that erasure, and dismantle limited rhetoric about what being trans looks like. Trans men of colour, and all trans men, deserve to take up space and be listened to. Entry last updated: 8 Feb 2026 Related Media Trans Male Media Browse

Dani, a trans man played by Spanish trans male actor Kenai White, features in over one hundred episodes of this soap opera. Dos vidas (Two Lives) Show 2021 Spain (España) Dani, a trans man played by Spanish trans male actor Kenai White, features in over one hundred episodes of this soap opera. Watch. Available Summary: The plot follows two women in two different timelines: Julia (a 30-year-old woman in current-day Spain who has inherited a house in the mountains from her father) and her grandmother Carmen, who lands in 1950s Equatorial Guinea, then a Spanish colony. -Wikipedia. Notes from Jack: In this Spanish soap opera, trans actor Kenai White plays a trans male character who is initially known as María but comes out as FTM and transitions. From what I have been able to read online, the character eventually chooses the name Dani. Dos vidas is a very long show, and Dani comes out in episode 132. According to Marvin, who reached out to provide this recommendation (thank you, Marvin!) Dani's transition takes a while to get off the ground, so he's referred to as "daughter" and with she/her pronouns for quite a while, although his mother quickly adjusts and accepts him, once she is aware of her son's true identity. With a Norwegian VPN and a website translate extension (to translate subtitles into English), I'm able to watch Dos vidas episodes here . Entry last updated: 8 Feb 2026 Related Media Trans Male Media Browse

Baldur's Gate 3, a fantasy roleplaying game, allows players to be a woman, a man, or non-binary, with two body types available, and genital options independent of body type or gender. Baldur's Gate 3 Game 2023 Fictional Location, Belgium (België), England Baldur's Gate 3, a fantasy roleplaying game, allows players to be a woman, a man, or non-binary, with two body types available, and genital options independent of body type or gender. Launch Trailer. Available Summary: Baldur’s Gate 3 is a story-rich, party-based RPG set in the universe of Dungeons & Dragons, where your choices shape a tale of fellowship and betrayal, survival and sacrifice, and the lure of absolute power. - Steam . Jack's Summary: I have a ridiculous number of hours in Baldur's Gate 3 . This game is worth playing regardless of trans characterisation and representation. Dragon Age: Inquisition and Dragon Age: Veilguard have more trans representation but are, in my opinion, inferior games in terms of roleplay outcomes, writing, and the player's impact on the world state. I literally never thought I'd say anything like that, because Inquisition is very close to my heart, but there you go. Unlike Inquisition and Veilguard , this game does not have an obvious trans storyline. There is one trans humanoid character (a woman named Nocturne, voiced by English trans woman Abigail Thorn), but I had no idea of her backstory despite finishing the game multiple times. Discovering her trans identity depends on making one choice which I typically don't make. Valeria, a Celestial Hollyphant, is voiced by English non-binary actor Roly Botha, but is not stated to be trans in-game. Kerz, an optional companion of the player, is referred to with gender-neutral pronouns, but isn't really a character, per se. They're more of a... resurrected husk. During character creation, players can choose to play as male (he/him), female (she/her), or non-binary (they/them). Players can also choose what genitals their character has, independent of which gender has been selected. There are four body types, which (in terms of sex characteristics) are effectively slender female, slender male, muscular female, and muscular male. All body types are independent of the other choices. Choosing a trans configuration of body parts and identifiers will not cause characters to remark on your trans backstory. You can roleplay as a trans man or a non-binary person or a trans woman in a relationship with women or men, and sex scenes will feature whatever genitals you choose, but your identity is completely normalised and not remarked upon. I personally enjoy that approach to gender diversity. My main complaint about the gender options would be this; if you choose she/her or he/him pronouns, there are some pieces of dialogue which will misgender you with they/them no matter what you do, because some interactions were only recorded once. I have been misgendered with they/them in real life, typically by healthcare workers who pair such comments with far worse rhetoric and abuse, and who ignore my steadfast presentation as a typical (almost boring) man who only uses he/him. One reason to avoid coming out as trans, in my experience, is that people who referred to me like any other man will suddenly start using they/them and she/her, with both sets of pronouns being equally dysphoria-inducing for me. So, obviously, being misgendered with they/them is puts me on edge when I have deliberately chosen he/him and made a canonically trans male character. Due to my personal experiences and dysphoria, being referred to incorrectly in-game is a bit uncomfortable. The game's so bloody good, though, that I largely got over it. I skip the dialogue if I need to. You can decide what you're personally comfortable with, and what's likely to make you dysphoric. Cis players will also be misgendered with they/them in these interactions. The genital options are not particularly diverse. People with genital variations, whether innate (intersex) or acquired (trans) may not see themselves represented in the available options. It would be cool to have a couple more options which do not represent a typical penis or a typical vulva, when/if the game devs have capacity. It would be a cosmetic change which would mean a lot to some people. However, for what it's worth, Baldur's Gate 3 has a very active modding scene which includes genital mods. More mods are available on PC than on consoles. Speaking of genital variations... throughout the game there are multiple body-shaming comments referring to small phalluses. This includes a poem about a cleric who is "cursed" with a very small penis, and so magically enlarges his genitals, thereby having "conned" his partners... and a poem about a man whose wife left him because he didn't have a large enough penis. The point of these poems is to laugh at men with small phalluses. They're pitiable and unwanted. I encourage you to check out these articles for an intersex, trans-inclusive perspective on why genital-shaming is harmful: Who Gets Hurt When We Joke About Genitals? Body Shaming is Unacceptable, Even if Directed at Vile People: An Intersex Critique of “Small Dick Energy”. Is this game still worth playing? Fuck yeah, it is. The genital-shaming needs to be addressed, though. Phallus-shaming is anti-intersex, anti-trans, and sexist, misandrist. Obviously, there is a lot of violence in this game, with combat being a central part of the gameplay. In the settings, you can turn off mature content, including genitals, cinematic nudity, and the option to hide clothes during character creation. Gore, blood, racism, and mature dialogue cannot be turned off. If you wish to avoid those themes, you should not play this game. Depending on the choices you make, dialogue with one of the player's companions will reveal a history of physical and sexual abuse, revealing that your companion endured non-consensual, coerced, and distressing sex for many years, in the context of slavery and mind control. Essentially, this character was forced into sex work. These themes are typical of the game, and (in my opinion) make it very rich and worthwhile. An optional side quest involves investigating the death of a woman who killed herself, and you can interact with her ghost for dialogue related to her suicide and severe depression. If you want to avoid this, refuse to help Oscar Fevras in Act 1 and ensure he does not escape captivity alive. If he does survive, refuse to help Lady Jannath in Act 3. If you play as a character named The Dark Urge, the violence, murder, and disturbing themes are significantly more intense and frequent. Entry last updated: 23 Mar 2026 Related Media Trans Male Media Browse

In a world where people have sentient reflections which can converse with their real-world counterparts, Cristian, a trans man played by Spanish actress Malena Alterio, tries to figure out his gender identity. Pol, a trans man played by trans male actor Iván Vigara, is the first person Cristian comes out to. Ariel, a non-binary person played by non-binary person Eli Sajaz Hinestrosa, has a minor role in the film. Espejo, Espejo (Mirror, Mirror) Film 2022 Spain (España) In a world where people have sentient reflections which can converse with their real-world counterparts, Cristian, a trans man played by Spanish actress Malena Alterio, tries to figure out his gender identity. Pol, a trans man played by trans male actor Iván Vigara, is the first person Cristian comes out to. Ariel, a non-binary person played by non-binary person Eli Sajaz Hinestrosa, has a minor role in the film. Trailer. Available Summary: Employees at a cosmetics firm grapple with their respective desires by arguing with themselves in the mirror, ahead of their company's anniversary party. -Netflix. Jack's Summary: This is a very strange film with a trans storyline that ended up being surprisingly moving. In fact, I would say that being trans is depicted more sensitively than any of the other topics explored throughout this movie. Tito. The comedic bigotry in Espejo, Espejo can be summed up in one character; Alberto, also known as Tito. He is degraded for his weight, his hairline, his manner, and his clothing, and he never proves any of this bullying wrong. He is the laughing stock, not just of the characters but also of the viewers, and that's precisely how the writers intended it. What the writers do not seem to grasp, though, is that affirming trans men means affirming... well, men. If you are living in a larger body, if you are on testosterone and are balding, the physical characteristics which accompany living as your most authentic self are the basis of humiliation and worthlessness in this film. The characters discuss many negative stereotypes, two of which being that trans people are freaks and that fat people are repulsive. By the end of the film, viewers are led to understand that, no, trans people are not freaks but, yes, fat people are repulsive. Specifically, fat men are repulsive, weird, inappropriate losers destined to embarrass themselves in front of others. The writers perceive two disparate groups with no overlap; fat men and trans men. The former deserving of humiliation and body shaming, the latter deserving of affirmation and respect. Of course, we know that life is not so tidy. To put it simply, the trans male affirmation in this film will not be enjoyable for everyone, since the trans male population is not solely comprised of skinny men, and the men/boys in our lives are similarly diverse. Álvaro watching as his reflection leaves. To set the scene more broadly, Espejo-Espejo is based in a world where human beings have sentient reflections which are able to converse with their real-world counterparts, make independent decisions, and affect their counterparts' memories. These reflections are initially depicted as being aspects of their counterparts' personalities, but as the film progresses it becomes clear that the reflections are far more separate than that. They are not just a part of the same person, but another being with agency. Cris's reflection arguing with him. Cristian, initially introduced as Cristina, is a middle-aged trans man who works in the office of a cosmetics company, is married to a man named Mario, and is being pressured by his father to provide him grandchildren. At the beginning of the film, his reflection is a feminine woman who refuses to allow Cris to admit to any discomfort with his life, saying, "We're great. We're pretty, we do our job well. Mario loves us. Dad adores us." Despite this, however, Cris is clearly unhappy, uncomfortable, and bored in his life. Cristian's sister Paula, who works as a social media coordinator in the same office, produces a promotional video to rebrand the (genuinely toxic) company as inclusive. It features Ariel, a non-binary friend of Paula's, who Cris has briefly met in the past. Seeing them in the video unlocks something inside Cris, and the video's message resonates with him; "Don't be afraid to express yourself. Whoever you are. Be free. Be yourself." The first appearance of Cris's masculine reflection. After this, his reflection warps and his true self is revealed. Cris is initially confused because, as we learn later, his feminine reflection has been hiding his transness from him, and at the beginning of the movie he does not remember his gender non-conformity in childhood. It's an allegory for transitioning later in life, and transitioning in general, and it doesn't get too lost in the fantasy themes. His masculine reflection reveals childhood memories, which he watches in the mirror. Cris as a child. As the film progresses, Cris continues to explore his gender while wrestling with the expectations placed upon him. He watches YouTube videos featuring trans men and non-binary people, and learns about chest binding, different identities, and medically transitioning. He is overwhelmed by all of the unfamiliar terminology, and afraid of what transitioning will do to his personal and professional life, but he accepts that he needs to transition. Sensing this, his reflection warps into the feminine version once again, insisting that he must not transition; "Nobody would love Cristian. Nobody would love us." His reflection tells him to buy a dress and attend his company's anniversary party as normal. Though he initially obeys his feminine reflection, he happens upon an after-hours party at a hairdressing salon, and enters on a whim, wanting to cut his hair short in defiance of his reflection. The party is predominantly LGBT+ and gender non-conforming people, including Ariel, the person from Paula's video. He briefly talks with them, drinks alcohol, takes MDMA, and stares longingly at photos of masculine haircuts. Pol, a trans man. An employee of the salon, named Pol, offers to cut Cris's hair. While looking at photos to figure out what he wants, Cris notices two photos of Pol on the wall; one pre-transition and prior to top surgery, and the other after he has affirmed his gender. Cris, who did not realise he was speaking to another trans man, is stunned and overjoyed. For the first time, Cris introduces himself as Cristian, and Pol shakes his hand in greeting. This scene is utterly gorgeous. We get to see a middle-aged trans man figuring out who he is, doing a bit of low-key partying, and having a tender conversation with a trans man who was able to affirm himself earlier in life. During this conversation, Cris has not modified any of his presentation, and is read as a woman, but Pol believes him. I find this aspect of the scene very beautiful. After this, Cris comes out to his sister. It is very different from his experience with Pol. In fact, this movie gleefully skips over the seriousness which typically (and understandably) accompanies scenes where trans people come out to family members. It was really refreshing and interesting to see transitioning explored in a comedic way, without the joke being Cris's gender itself. Cris and his sister. He arrives at the company party and drunkenly congratulates Paula for her event speech. Paula, surprised by Cris's masculine presentation and obvious intoxication, questions him in a panic. He tries to come out, but is interrupted by a coworker tearfully confessing to Paula, then by Tito singing Paula a love song, then by the company receptionist committing arson. It's chaotic and ridiculous, and completely disarms the fear which often defines coming out scenes in media. After this, the film takes a dark turn. As four characters flee down the hallway, trying to escape the arsonist's fire, their physical bodies begin to warp and distort. Except, this time, it's happening in the real world, not in the mirror. Their reflections are taking control, swapping places with their real world counterparts. Cris's reflection reassuring him after they swap. Cris is the only main character to get a conceivably happy (if quite ominous) ending. His masculine reflection, now inhabiting his body in the real world, reassures him and says that they will take the transition slowly. This is the fantasy equivalent of proceeding with a transition despite fear of how other people will react, and what the consequences will be... Cris in the mirror world. ...but the real Cris, like the other three main characters, ends the film by slowly turning to behold the void of darkness where he now exists. The difference between his ending and the other characters' endings is that his reflection has goals absolutely aligned with his, whereas Paula (for example) has been replaced by a crueller, more pragmatic version with different goals and standards, who is doing things which Paula would not. All in all, this is quite an interesting film with a heaping load of fatphobia alongside some genuinely touching trans scenes. In terms of general warnings, in addition to what's already been mentioned, Espejo, Espejo includes workplace sexual harassment, misogyny, minor physical violence, conflict, and slurs. Entry last updated: 21 Feb 2026 Related Media Trans Male Media Browse

Three trans men are interviewed about their lives, transitions, identities, and goals. Girlz to MEN Interview, Documentary 2019 United States of America Three trans men are interviewed about their lives, transitions, identities, and goals. Watch. Available Summary: This documentary was created out of curiosity about transgender, so I asked Jaye, Chevy, and Gino, who are transgender men, to share a bit of their authentic stories. -YouTube. Jack's Summary: Despite the production quality, these are some worthy and insightful interviews with three trans men. The trio discuss dating, sports, employment, sex, testosterone, mastectomies, and more. However, one of the interviewees (Chevy) makes some potentially harmful comments which warrant deeper discussion. The positive things, first... I really liked Chevy’s response when asked if he identified as a man or as a trans man. He said, if he had to choose between society’s labels for him, he would just choose man. I feel the same way on most days, so I appreciated this comment. Gino had the same response and also added, “I don’t think anything can singlehandedly define a man. Or masculinity. We are what we know we are. We are what we speak.” I really loved that. I would say that Gino's interviews were my favourite, including a beautiful, considered response to a question about God and whether transitioning is right or wrong. I appreciated Jaye’s discussion about how his needs changed as he transitioned, and the consequences of being outed. When he was still being received in society as a stud, he needed his girlfriend to tell her family that he was actually a trans man, but once he was passing as a man, he needed girlfriends to respect his privacy and not out him. Chevy revealing his bound chest. WARNING: Unsafe binding, harmful rhetoric. Chevy, after asserting that his journey has been made harder by "fad" trans men who are only transitioning because it "looks good", revealed to the interviewers that he binds with duct tape. This, he implied, makes him a real trans man, compared to trans men who don't go to such unsafe lengths. Any documentary that promotes duct tape chest binding is dangerous. I worry about newly-exploring trans men, or even gender non-conforming women and non-binary people, who might be influenced by Chevy's comments. Binding unsafely, and potentially cracking your ribs, doesn't make you any more "real" than people who choose not to do that. I chose not to do that to myself, pre-surgery, after being seriously harmed by that practice. I didn't become any less "real" by making that choice. Chevy's experience is what it is. It is good that he had the opportunity to speak authentically about his journey, and I adored the interview which also featured his female partner. But this documentary presented duct tape chest binding with no warnings, no disclaimers, and certainly no concern for vulnerable viewers. And that warrants criticism. Learn more about chest binding here. Entry last updated: 8 Feb 2026 Related Media Trans Male with Female Browse

Fred Rococo, a trans man played by American trans comedian/actor/performer Murray Hill, is an emcee and professor of agricultural sciences. He gets married to a woman in the show's second season. The series itself is a comedy that has been very well received, and does a wonderful job of humanising both cis men and trans men. Somebody Somewhere Show 2022 United States of America Fred Rococo, a trans man played by American trans comedian/actor/performer Murray Hill, is an emcee and professor of agricultural sciences. He gets married to a woman in the show's second season. The series itself is a comedy that has been very well received, and does a wonderful job of humanising both cis men and trans men. Season 1 Trailer. Season 2 Trailer. Season 3 Trailer. Available Summary: Sam is a true Kansan on the surface, but, beneath it all, struggles to fit the hometown mold. Grappling with loss and acceptance, she discovers herself and a community of outsiders who don't fit in but don't give up. -IMDb. Jack's Summary of Seasons 1 and 2: Fred Rococo is introduced in episode 1 as the emcee of a church “choir practice”, which is actually largely a gathering of LGBT+ people, sharing stories and singing and doing spoken word acts. Sam, the protagonist, is invited there by her friend Joel, who also encourages her to sing onstage. Fred is an enigmatic, smooth, well-dressed guy, played by Murray Hill. Hill is a comedian and trans pioneer of drag king performances, and I'm so glad he was included in this series. I'll be honest... I cried at the end of the first episode, which is not a common occurrence for me. Having experienced discrimination and isolation in my hometown, Sam and Joel's song about not giving up really left an impact. And I'm not alone in recognising the profound emotion and brilliant quality of this show; the first season has a 100% approval rating on Rotten Tomatoes, and a 92% average audience score. Even aside from the trans inclusivity, this is an awesome show. Fred talking to a waiter. In S01E02, Sam attends brunch with her new friends. Fred is among the group. When a visibly anxious waiter approaches the table, asking how the meal was, Fred confirms that it was good. "Thank you, sir," the waiter says, hurriedly correcting himself and instead saying, "ma'am." "Hey, you got it right the first time," Fred responds with a smile. At the end of the meal, after Fred has left, Sam notes aloud that Fred is a very good tipper. Joel agrees and says, "Especially for waiters who feel uncomfortable." This is a very sweet, understated moment. In Fred, Hill brings to life an older trans guy who has decided not to transition medically ( as discussed by Hill in real life ) and lives his life as his most authentic self. He understands that sometimes strangers will perceive his gender incorrectly, but that doesn't stop him being who he is. When the waiter next appears, in season 2, he refers to Fred correctly, as "sir". These quiet interactions offer hope and positivity to trans men who live similarly to Fred. Fred and his friends playing poker. One reason I love Fred is that he feels real, like a guy I might encounter at a local trans gathering. He's wise, funny, and self-assured. When a main character references a song during a poker game, saying, "put your dick away," apropos of nothing, Fred replies, "I already did, it's under the sink," without missing a beat. This quick, blink-and-you'll-miss-it reference to packing is exactly the type of joke I've heard made by my FTM and transmasculine friends. Fred and Ed. Fred is a Professor who specialises in agricultural sciences, and intervenes with his students to help Sam's father (Ed), whose farm is struggling financially. Ed is also struggling personally and refuses to confide in anybody, including his daughters. In a beautiful scene, he tells Fred that he finds it very difficult to work through emotional issues, and he doesn't know how to talk to people. Fred is supportive of him and, when he pats Ed on the arm, Ed reacts with surprise at being treated in such a supportive way. It's a gentle, simple, very tender portrait of solidarity between men and the masculine-identified, which emphasises that men need support too. While at his own wedding, Fred toasts Ed: "I'd like to say a few words about our host, who's not here. About a year ago, Sam asked me to come out on the farm to help her out. And, from the moment I walked in, I felt such a deep connection with Ed. Y'know, we were just two guys who shared a love of the land. It wasn't about him accepting me. It wasn't about being nice. He just saw me. That's a rare thing, no matter where I am. So, if he were here today, my friend Ed would be my best man. So, raise your glasses, everybody. Raise' em high!" I so appreciated Somebody Somewhere for treating a masculine cis man as the source of such connectedness and friendship, because I have found such blokes to be some of the most kind, calm people when it comes to my own identity. And, when they open up and seek comfort, it feels like a privilege to be the person that they turn to. Fred and Susan. In the show's second season, Fred introduces his fiancé, Susan, to his group of friends. "It's always been Fred, for me," Susan explains, "He didn't want me to hide, so I had to come out to my dad. I said, I'm dating someone who is important to me. He's trans, and I want you to know." It's established that, prior to Fred, she dated numerous men. Somebody Somewhere is set in a conservative area where many townspeople view LGBT+ identities as sinful, so it makes sense that Susan might have to "come out" as a woman in a relationship with a trans guy (even if she's heterosexual), especially since that trans guy is not medically transitioning and therefore has less opportunity to live low-disclosure. Interpreted that way, her comments reflect a determination to be respected as a woman who loves as trans guy, and a determination to ensure Fred's gender is respected. Fred and Susan's wedding. What Somebody Somewhere offers, perhaps most importantly, is a trans guy getting his happy ending. Fred is middle-aged, he's qualified and employed as a Professor, he has friends who love and respect him, and we get to watch as he settles down with a woman who is attracted to him. This show isn't about early-transition conflict or angst, and doesn't centre on the experiences of trans youth. Fred shows trans male viewers that something comes next, that life continues once you're no longer freshly out of the closet and trying to navigate the earliest stages of your transition. That is hugely important. We need more older trans guys in films and shows! WARNING: Potentially confronting themes. The show overall explores heavy and serious themes, often in lighthearted ways. Sam herself experiences depression following the death of her sister, and works to overcome social anxiety, low self-esteem, and hopelessness. While the subject matter in Somebody Somewhere can be sad, it's never sad to the point that it's unwatchable (in my opinion). Humour, brilliant acting, and solidarity between misfit characters makes for a touching series. The show also deals with the following: Bullying and humiliation. Possessiveness and jealousy in a friendship. Persistent insults and put-downs directed at Sam, usually by her female family members. A mother being cruel and aggressive towards her children. Alcohol Use Disorder leading to aggression, denial, rehab, family dysfunction, and the physical endangerment of family members. Trauma from negative school experiences. The impact of a stroke on a family. Homophobia and lesbophobia. Anti-LGBT+ bigotry under the guise of religion. Infidelity. Body image struggles. There is also crude and vulgar humour that might be uncomfortable (depending on your standards), especially in season 2. Entry last updated: 23 Feb 2026 Related Media Trans Male with Female Browse

Pin-Lee, a non-binary lawyer played by American-Chinese non-binary actor Sabrina Wu, travels to other planets on a research mission. They are accompanied by a team (which includes their wife and polyamorous male partner), and by the robot protagonist. Murderbot Show 2025 United States of America, China (中國) Pin-Lee, a non-binary lawyer played by American-Chinese non-binary actor Sabrina Wu, travels to other planets on a research mission. They are accompanied by a team (which includes their wife and polyamorous male partner), and by the robot protagonist. Trailer. Available Summary: A media-obsessed private security construct (manufactured from cloned human tissue and mechanical parts) calling itself Murderbot must hide its newly acquired autonomy while completing dangerous assignments and being simultaneously drawn to humans, and appalled by their weakness. -Wikipedia. Jack's Summary: I absolutely adore this science fiction action comedy. I highly recommend watching it, even beyond the non-binary representation. Murderbot. The protagonist, a robot crafted with lab-grown human tissue, has taken control of its system and solidified its sentience. While this technically allows it to act of its own free will, doing so would result in being "decommissioned" and melted down. Used and abused by humans, and practically unable to disobey regardless of what happens, it finds escapism in fantasies of violent resistance (privately naming itself Murderbot) and watching fantasy drama shows. A research team with unconventionally progressive views, at least in terms of the in-fiction universe, request funding and support for planetary exploration. In order to access these resources, they must also agree to be accompanied by a Security Unit. The team, hailing from a society which views SecUnits as living people, consider this tantamount to slavery, but have no choice. They choose the most inexpensive SecUnit available, unaware that their robotic companion is defective and is capable of disobeying commands. What ensues is chiefly funny and entertaining, so what I did not expect was to find myself crying during the penultimate and final episodes, and to find the robot itself so relatable. This might sound ridiculous but, as an autistic man, I have never related to another character (in terms of neurodivergence) as much as I relate to the protagonist of this series. I can only assume that the obvious parallel to autistic experiences was deliberate, but regardless of filmmaking intent, I know that I am not the only autistic person to find the end product deeply meaningful. Returning to Pin-Lee themself, they are canonically non-binary, but this is not made explicitly evident until episode three, when they are referred to as "they" by Murderbot. Were you not paying attention in that moment, you might even miss that one syllable. Pin-Lee and their wife being held hostage. Their gender is simply portrayed, rather than being explored. Their relationships with Arada (their wife), Ratthi (their throuple partner), and the team overall are more explored than their gender is. They are just another member of the team, and they happen to be non-binary as well. Running this website has taught me that there are many different ways representation can be handled, but that there are two broad categories; representation built through gender-focused plotlines and discussions and conflict, and representation built through normalisation. While both categories offer something different, I have increasingly grown to adore the latter category, as long as it is done well... and Murderbot is done well. Pin-Lee's identity is, in a word, normal. And the other characters, unique in their own ways and often quite weird, are also somehow very normal. I like this show because it's great. Representation is a bonus. Go watch it. Entry last updated: 20 June 2026 Related Media Non-Binary Media Browse

Jim Jimenez, a non-binary person played by Puerto Rican non-binary actor Vico Ortiz, is a pirate who has romantic relationships with both a man and a woman (separately and then together). Our Flag Means Death Show 2022 United States of America, New Zealand (Aotearoa), Barbados, Puerto Rico (Borikén) Jim Jimenez, a non-binary person played by Puerto Rican non-binary actor Vico Ortiz, is a pirate who has romantic relationships with both a man and a woman (separately and then together). Available Summary: Our Flag Means Death is an American period romantic comedy television series created by David Jenkins. Set in 1717 during the Golden Age of Piracy, the series follows the misadventures of gentleman-turned-pirate Stede Bonnet and his crew aboard the Revenge as they try to make a name for themselves as pirates and cross paths with famed pirate captain Blackbeard. -Wikipedia. Jack's Summary: Season 1: Our Flag Means Death is a comedic romance about pirates, with a lot of GBT+ representation. Jim Jimenez with Oluwande Boodhari. A character named Jim is introduced in episode 1. The crewmates of The Revenge, Stede Bonnet's ship, believe "him" to be a mute man, knowing very little about him except that he is skilled in hand-to-hand combat. Oluwande Boodhari is the only crewmate who knows anything substantial about Jim. Jim's first appearance without a disguise. At the end of this first episode, Jim is revealed to be wearing a disguise, which includes a fake beard and nose. Over ensuing episodes, it's revealed that Jim is concealing their true identity because they are wanted for murder. Jim writing about wearing a false beard. Jim's disguise is eventually removed in front of all crewmates, who are immediately curious about who (and what) Jim is, especially considering seafaring myths about women being bad luck. In episode 4, when asked, "The whole time, you were a woman?" Jim replies, "Yeah... I guess. I don't know." It's subtly apparent that Jim is still figuring out who they are, and how they'd rather live. They quickly decide, however, that they do want to remain as Jim, but in a more authentic way (without the disguise). Sick of the questions and awkwardness, they say to the crew, "You all know me as Jim, sí? Just keep calling me Jim. Nothing's changed. Except I don't have the beard, and my nose is different, and I can speak now... Anyone got a problem with that?" Nobody does. From then onward, their gender isn't discussed. Our Flag Means Death is a comedy that only loosely mirrors real histories, allowing for Jim to exist as a non-binary person in ways that stretch early 18th century reality. This allows for a relaxed viewing experience for non-binary people. Crewmates ease into using they/them pronouns for Jim, from episode 7 onwards, and it's not a big deal. I really loved how Jim's arc was handled. I loved that the comfort and mental wellness of LGBT+ viewers guided depictions of coming out, relationships, and self-identification. The show simply refuses to handle some topics, operating within a limited, comedic world that bypasses many of the traumas LGBT+ people experience. As an example, the non-binary actor who played Jim (Vico Ortiz) wore a chest binder throughout filming , resulting in a character who has a flattened chest, but the show doesn't tackle how such a character might bind. Many other shows and films would have been unable to resist the temptation to show Jim wrapping bandages around their body, as per a dangerous stereotype in FTM, gender-diverse, and crossdressing media . Our Flag Means Death ignores that trope completely, and revels in the freedom of being a comedy rather than a faithful historical reenactment. One of my favourite episodes is episode 7, where Jim's nana is introduced. The woman's reaction to Jim going by a new name is beautifully understated, bypassing hostility or awkwardness to focus on more important things; teasing of Jim due to their closeness with Oluwande, and questions about the revenge mission which has defined Jim's life. Jim and Oluwande. Oluwande's relationship with Jim is one of the show's most valuable, and touching, storylines. That's saying a lot, considering the grace and gentleness with which Stede and Blackbeard's relationship is handled, particularly in the final episodes of season 1. Oluwande's affection for Jim, and the fact that he is attracted to a person who is neither a man or a woman, is another example of Our Flag Means Death ignoring predictable questions. The fact that Oluwande and Jim fall in love, and have sex, doesn't need a label or a crisis of sexuality. The relationship between the pair is simply allowed to exist. A woman aggressively coming onto Jim. The only season 1 scene that made me uncomfortable involved a woman (named Spanish Jackie) flirting with Jim, making an unwelcome sexual comment that referred to an erection, and backing them into a corner in a way that would rightfully be unacceptable if a cis man had done the same to a cis woman. In the context of the show, Jackie was actually trying to get physically close to Jim to pull off their fake beard and nose, and she wasn't necessarily motivated by sexual desire. That didn't really alleviate my discomfort, as the scene felt too similar to an old "comedic" trope of a man enduring the unwanted attention of a woman, and this supposedly being funny. The fact that the man, in this case, was the persona of a male impersonator didn't make the parallel any better. You can learn more about the "comedic" trope of women harassing men, and how this has long been mishandled, by watching this video essay . Jim, while in the role of a man, had to remain mute, which meant that they couldn't say "stop" or "get away from me" aloud... which obviously made the scene even more uncomfortable. Whether the afore-mentioned scene will bother you as much as it bothers me likely depends on your background, whether you've been sexually harassed by women, and how consciously you analyse the differences between masculine and feminine characters when it comes to the framing of sexual harassment. This scene could've been handled better. If a cis man wanted to pull of a cis woman's disguise, so he made sexual advances towards her and pressed her against a wall in the same way Jackie did to Jim, I have no doubt that fans would've rightfully labelled him as a total creep. There is stereotypical pirate-themed violence (stabbing, shooting, fighting), forced auto-cannibalism, cursing, and other expected drama. The show also handles racism, slavery, and classism. There are brief flashbacks and references to domestic, familial abuse and patricide. You can read about Vico Ortiz's experience filming Our Flag Means Death here . Season 2: S02E04 features a scene where a woman sits on a gay man's lap and aggressively kisses him, even though he verbally indicates his discomfort and is clearly not consenting to it. She only stops because somebody else happens to be in the room, and interrupts. Later, the woman lies about the encounter in front of the man's male partner, claiming that he gave her "a proper tonguing". The gay man, uncomfortable and worried that his partner will believe the woman's claim, has to correct the record and say, "No, she kissed me ." The woman is not held accountable for what she did, and the takeaway is that she's just bored in her relationship, justifying leaping onto someone and kissing them against their will. The fact that Our Flag Means Death is a comedy doesn't stop this being a scene of sexual assault. If the gender roles were reversed, and a man did exactly the same thing to a woman, people would absolutely call it assault (or at least harassment) regardless of the show's genre. Fans of this show would've furiously criticised the writers for depicting a non-consensual kiss as comedy, if that kiss were being forced onto a lesbian by a man. But, when it's a woman kissing a gay man against his will, apparently it's completely acceptable. What I saw in S02E04 was a common experience for male survivors... turned into a joke. The difference is that real men/boys don't have zany minor characters to intervene and prevent sexual assaults from going further, and real men/boys experience discomfort and distress in the wake of being assaulted by women, at which point many such victims are laughed at because a woman assaulting a man is funny or unbelievable. It's long past time for shows and films to stop minimising the seriousness of men being assaulted/harassed, especially when a show claims to be progressive, as Our Flag Means Death does. The double standard has to end. It's not okay to kiss men without consent. It's not funny to kiss men without consent. If it's assault when a man does it to a woman, it's assault when a woman does it to a man. I know many people will disagree with my take on this show's depictions of non-consensual sexual advances, and might seek to minimise the double standards which are glaringly apparent in Our Flag Means Death . A great deal of this show deserves praise and admiration, from the casting to the writing, and that appeal shouldn't have been tainted by scenes which do nothing except downplay the seriousness of assaulting and sexually harassing males. If you are a man who has survived sexual abuse, I recommend the site 1in6 , which supports and advocates on behalf of men/boys who are survivors. It addresses the specific struggles faced by men. You are not alone. Additionally, this article shares the experiences of a 50-year-old trans man named Trystan Cotten, who was unable to seek support for harassment due to being a man, and found that women laughed at his experiences when he tried to get help. If you have found yourself in similar situations, and you've noticed a double standard since transitioning, please know that countless men have been through exactly the same thing, and it is not okay. We all deserve better. Entry last updated: 8 Feb 2026 Related Media Non-Binary Media Browse

Sam Jordan, a trans man played by American trans male actor Elliot Fletcher, inhabits a post-apocalyptic world where all individuals with a Y chromosome have died, except for one cis man. Silas, a trans man played by Canadian trans male actor Harrison Brown, has a brief appearance. Y: The Last Man Show 2021 United States of America Sam Jordan, a trans man played by American trans male actor Elliot Fletcher, inhabits a post-apocalyptic world where all individuals with a Y chromosome have died, except for one cis man. Silas, a trans man played by Canadian trans male actor Harrison Brown, has a brief appearance. Trailer. Available Summary: Y: The Last Man takes place in a post-apocalyptic world where a mysterious cataclysmic event simultaneously killed every mammal with a Y chromosome but for one man; Yorick Brown and his male pet monkey Ampersand. The series follows Yorick as he traverses the new world, as its survivors struggle with their losses and attempt to restore world society... In the original comic book series, every animal with a Y chromosome instantaneously dies at the same time, including most mammals... While trans people did not feature heavily in the original comic, it was mentioned that trans men survived due to not having Y chromosomes... The producers aimed to update and expand on the ramifications of this, to reflect changing societal attitudes in the West toward gender in the almost two decades since the comic began. The showrunners specified that trans women with Y chromosomes also died, as well as women with androgen insensitivity who were unaware they possessed Y chromosomes. The showrunners also added a trans male character to the regular cast (Sam Jordan, played by Elliot Fletcher), who does not have a direct counterpart in the original comic, to expand on this world-building. -Wikipedia. Entry last updated: 2 Mar 2026 Related Media Trans Male with Female Browse

Seu Franco, a 67-year-old Brazilian trans man, is interviewed about his life, transition, and aspirations. He discusses having a mastectomy one year ago, being inspired by trans male trailblazer João W. Nery, and pursuing his manhood in defiance of both family and partners. LGBT+60: Seu Franco, A 67-Year-Old Trans Man Interview 2025 Brazil (Brasil) Seu Franco, a 67-year-old Brazilian trans man, is interviewed about his life, transition, and aspirations. He discusses having a mastectomy one year ago, being inspired by trans male trailblazer João W. Nery, and pursuing his manhood in defiance of both family and partners. Watch. Available Summary: Seu Franco, a 67-year-old trans man who had to live on the streets at the age of 13 because he didn't feel accepted by his family. His testimony reveals the process of his long-time-dreamt masculinizing mastectomy, carried out at the age of 66. -YouTube. Jack's Summary: Seu Franco, a Brazilian trans man, discusses growing up, being unsupported by family members, experiencing homelessness, binding with bandages when no other method was possible, and eventually finding his chosen family. He talks about seeing an interview with Brazilian trans male pioneer João W. Nery on Programa do Jô, and realising his identity. At 50 years of age, he started to consider having a mastectomy, in defiance of partners who discouraged him from surgically transitioning, and finally had the operation at 66. He says that he was surprised to become an inspiration for younger trans men, and has aspirations to further his education in the future. He discusses providing end-of-life care for an elderly mother who never accepted his gender identity. I highly recommend watching this video. It's beautiful. Entry last updated: 6 Apr 2026 Related Media Trans Male Media Browse